Tim Ng – EdgePoint Partner since 2012 (Vancouver, BC – Coal Harbour)
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This week in charts
There’s always uncertainty in the world
The customer isn’t always right
Toronto traffic
By now, the litany of reasons for the market rout are known to just about everyone: war, inflation, tightening monetary policy, and a global economic slowdown. All news seems to be bad news and as one might expect, forecasts of impending doom are running rampant.
During such times, it’s hard to imagine stocks ever going up again. Which is undoubtedly leading many investors to either panic and sell or hold off on investing new money until the “dust settles.” In theory, their reasoning is sound: by waiting for the market “to bottom,” they’ll avoid further downside and be able to buy back in at lower prices.
But in practice, this strategy almost always fails. For if they’re scared to invest today, what are the odds that they will be buyers if prices go down more and the news only gets worse? Not very good. Based on the evidence of investor returns trailing fund returns across all categories, they’re much more likely to do the opposite. The 1.73% annualized “behavior gap” over the last 10 years is a direct result of investors buying high and selling low, again and again.
This week’s fun finds
Too Many Songs, Not Enough Hits: Pop Music Is Struggling to Create New Stars
Insiders have plenty of theories about why the market for new artists has become more difficult. Chief among them: a deluge of new music. It has become so easy for aspiring artists to release tracks that songs are hitting streaming services by the hard drive-full, making it harder for any single tune to stand out amid the glut. “Due to the sheer number of things coming out, songs that were shoo-ins for being hits five to 10 years ago now have to fight to see daylight,” says veteran producer Warren “Oak” Felder (Usher, Demi Lovato). Even the biggest record companies are taking notice — “If there are 80,000 tracks a day being uploaded on major [digital service providers], then [major-label] market share is going to be diluted by default,” Sony Music Group chairman Rob Stringer told investors this summer.
In addition, the reach and influence of once-powerful mediums like radio and late-night TV have also declined. (“A No. 1 radio song doesn’t mean fuck anymore,” laments one longtime A&R executive.) Managers say that even marquee streaming playlists don’t have the commercial oomph they had just a few years ago. (“Now, just because you’re in a top 10 slot on a big Spotify playlist, it doesn’t mean your audience is growing,” one manager says.)
The rise of TikTok has complicated matters, too. The platform has become a hit-maker — helping Em Beihold’s “Numb Little Bug” and Nicky Youre’s “Sunroof” climb the charts, for example — but it’s an unpredictable marketing tool, less susceptible to manipulation and less responsive to star power than other platforms. Engineering a viral moment is akin to walking into a corner store and emerging with a winning lottery ticket. “There doesn’t seem to be any rhyme or reason to what breaks there,” says Justin Lehmann, who manages Aminé and Khai Dreams, among others. “And without breaking there, it’s difficult to say what else can cause a big moment to happen for anybody.”
Taken together, all these factors mean that seizing — and then holding — the attention of the music-loving masses is that much more challenging. “It used to be that you released an album, got Rolling Stone to review it, got on tour, got on late-night TV, and that was how you broke,” says one senior executive at a major label. Even if luck was a factor, the path was clear. “It was four or five things. Now you need four or five things a week, or at least a month, or else your streams don’t go up.”
The Art of Manliness podcast (45 min)
Our lives are populated by rituals. Baptisms. Funerals. Graduations. Singing happy birthday, chanting cheers at a sports event, saying grace before dinner. When we perform rituals, there’s no causal link between the behavior and the hoped for effect; for example, there’s no causal connection between exchanging rings at an altar and becoming wedded to another human being.
But my guest would say that doesn’t mean that rituals are useless and irrational; in fact, doing two decades of research on rituals caused him to do a one-eighty on his perception of their value. His name is Dimitris Xygalatas and he’s an anthropologist and the author of Ritual: How Seemingly Senseless Acts Make Life Worth Living. Today on the show, Dimitris explains what defines a ritual and how a ritual is different from a mere habit. He shares how a greater understanding of ritual is upending our theories of human civilization, and the idea that “first came the temple, and then the city.” Dimitris describes how rituals can be seen to have their own kind of logic and purpose, as they build trust and togetherness, serve as an effective way to deal with stress, signal someone’s commitment to a group, and ultimately contribute to people’s overall well-being.